Print by Dado

Print by Dado

Dado – Biographical timeline
The 2000s

Click on the images to enlarge them
(large and extra large sizes)

Fullscreen
slideshow    

Dado in his room in 2002
Dado in his room in Hérouval in 2002. Photo: Alberto Ricci.

2002The exhibition with his friend Bernard Réquichot, “Dado-Réquichot. La Guerre des nerfs” opens in February at the Abattoirs in Toulouse.
Making of The School of Prescillia, donated to Centre Pompidou in 2006. This painting will be followed by a series of paintings on school, “the Jules Ferry’s mould” that Dado was obsessed with, like The School of Ivo (from his grandson’s name), kept at Musée régional d’art contemporain Languedoc-Roussillon in Sérignan.
Dado starts a short-lived collaboration with the Galerie Alain Margaron, a collaboration that contributes to convince him to work outside the art market system.
Last trip to Montenegro in the autumn for the big exhibition of his work at the National museum of Montenegro in Cetinje.

The School of Prescillia, 2001-2002
The School of Prescillia, 2001-2002, oil on canvas, 200 × 400 cm.
Photo: Centre Pompidou / MNAM-CCI / Georges Meguerditchian / Dist RMN-GP.

2003Following a productive collaboration with the founder Régis Bocquel, Dado takes over the blockhouse at Fécamp, built in 1942 by the occupying German forces. After having painted on the walls, he instals bronzes made from various elements like a gas cylinder, Christ, bather, the corpse of a cat as well as famous motifs like the woman with a helmet from the Departure of the Volunteers of 1792 by François Rude and The Winged Victory of Samothrace.

Dado’s blockhouse Dado’s blockhouse
Dado’s blockhouse, exterior and interior views. Photographs: Régis Bocquel.

2004Begins a collaboration with Matthieu Messagier with the publication of a collector’s book, Une clarté sessile, at Fata Morgana, illustrated with six original lithographs. Takes part in an exhibition for the centenary of the paper L’Humanité, “Cent peintres pour les cent ans de l’Huma”.

Advance the slideshow manually with the left and right arrow keys on your keyboard.  Hover over the images for captions.  Click on the images to enlarge them (large and extra large sizes).

Une Clarté sessile, 2004
Une Clarté sessile, 2004, a poem by Matthieu Messagier with six lithographs by Dado, printed on Arches paper by the Lacourrière workshop in Paris, presented in a portfolio by the Duval workshop in Paris, 50 × 32,5 cm. Photos by Domingo Djuric of an enhanced copy enriched with four enhanced lithographs and eight collages of enhanced lithographs.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, enhanced lithograph, 50 × 32,5 cm.
Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of enhanced lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.
Une Clarté sessile, 2004
Une Clarté sessile, 2004, collage of lithographs, 50 × 32,5 cm. Photo: Domingo Djuric.

2005Publication with Léo Scheer of Notes du dehors, manuscript by Matthieu Messagier illuminated by Dado.

Notes du dehors
Work in progress on Notes du dehors. Photo taken by Philippe Ferrari on February 12, 2005.

2006Produces the series The Birds of Auschwitz from the plates of an ornithology book and reproductions of the manuscript of the novel Suite française by Irène Némirovsky kept at Institut Mémoires de l’édition contemporaine (IMEC). Deposit of a large quantity of archives at IMEC, thanks to Yves Chevrefils-Desbiolles, in charge of the artists’ funds.

Dado: Suite française
Suite française, 2006, oil on canvas, 213 × 426 cm. Photo: Y. Chenot, Paris.
FNAC 07-516. Centre National des Arts Plastiques – Ministère de la Culture et de la Communication, Paris.

2007Acquisition by Fonds national d’art contemporain of a large format painting, Suite française (2006). Publication of The Birds of Irène at Éditions de la Différence, with texts by Claude Louis-Combet and Yanitza Djuric. Following a coma caused by a serious respiratory failure, Dado expresses his wish to be buried in Koščele (Montenegro), a hamlet situated some ten kilometres from Cetinje, from where one can see both the river Rijeka Crnojevića and Lake Skadar.
He’s passionate about digital, whose possibilities he can see, and creates this website with his son-in-law, Pascal Szidon, a kind of testamentary work in which he decides to revisit his whole oeuvre.

Jean Hucleux
Amarante, Hucleux and Dado on 25 May 2008 at Hérouval, photographed by Domingo Djuric.
Article in the journal L’Impartial
Article in the journal L’Impartial of Thursday September 18, 2008.

2008Uploading of Dado’s official site on 31 August, “Syndrome Dado”, on the URL http://www.dado.fr/ and http://www.dado.me/. On that occasion, Dado makes works especially for the screen, among them collages from photographs by Domingo. Makes mural paintings in Hérouval.

2009Dado represents Montenegro at the 53rd Venice Biennale, with a series of bronzes and canvas sheets reproducing photos of the burnt studio taken in 1989 by Domingo. Called “Les Élégies Zorzi” [Zorzi Elegies], the exhibition gives him an opportunity to pay homage to all his deceased friends: Bernard Réquichot, Hans Bellmer and Unica Zürn, Robert and Christophe Malaval, Öyvind Fahlström…

Palazzo Zorzi
Venice Biennial: Dado’s little son, Ivo, wearing traditional Montenegrin costume at the Palazzo Zorzi at the opening. Photo: Domingo Djuric.
timbres Dado
Stamp issued by the Montenegrin Post in January 2010. 2,8 × 3,5 cm. Photo: Pascal Szidon.

2010In August, Dado receives the 13 July Award, the highest national distinction in Montenegro.
From 15 September to 31 October 2010, nine large canvas sheets specially made by Dado for the occasion, from highlighted photographs, are exhibited in Shanghai, in the Montenegro Pavilion of Expo 2010.
At the beginning of November, Icom-Unesco recognises Dado’s website as a museum in its own right, and gives it the right to use the internet domain of first level “museum”, reserved, until 2018, for the sole use of museums. The English version of the site is uploaded on URL http://www.dado.virtual.museum/.

Dado passes away on 27 November at the Pontoise hospital.
After a ceremony in the museum of Cetinje, his native town, Dado, dressed in the traditional Montenegrin costume, is buried in a state funeral on 3 December in Koščele, near Rijeka Crnojevića in Montenegro.

Death announcement
Death announcement pinned on a tree, in front of the house where Dado was born in Cetinje.
Photo: Pascal Szidon.
The view from Dado’s tomb
The view from Dado’s tomb in Košćele. It was Dado’s will to be buried there. Photo taken on the 3rd of December by Pascal Szidon.
Vijesti
The newspaper Vijesti, 4th of December edition.
Pobjeda
The newspaper Pobjeda, 4th of December edition.
Print by Dado (Miodrag Djuric)